"love what you listen with..."
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MissionAllegroSound has been dedicated to the accurate recording and reproduction of acoustic music for well over ¼ Century. For those who value ears-on experience, AllegroSound is "hear" to assist you.
Featuring* AllegroQC™ with 37+ yrs experience. * Safe-packing. Trust your purchase to one who knows & cares to pack it right.
ConditionSome be 10~60 yrs old with imperfections, non-functioning lamps, old capacitors, etc; NO "mint", "minty", "perfect", "excellent". AllegroGrading™ : 5 = New-In-Box, 4 = VeryGood, 3 = Good, 2 = Fair, 1 = Poor. All pre-owned/used unless otherwise noted. See Pics, MainsVoltage, Terms below. Pics are shown for display purposes & may not represent exact condition; text trumps pics - read description and email if you need clarification. From computer, place your pointing-arrow ON the rotating $-sign below each listing; price will pop up within 2 or 3 seconds; if not, Click "HELP" in the floating Menu >>> * all prices U.S. currency f.o.b. Los Angeles, California USA. * prices without deposit subject to change without notice. * AllegroLayAway™ with 30% non-refundable deposit. * AllegroTradeUP™ with your approved TRADE-IN.
Trade-insTrade-in & purchases are not final until received, inspected, tested and approved by AllegroSound. Items failing to meet described condition will be returned at customer's expense plus $50 min fee for inspection/testing; additional fees may apply.
Terms & ConditionsEquipment is carefully inspected, cleaned, variac'd, tested for dc-offset & auditioned in ref system before it leaves our facility. Quality work with TLC takes quality time; I work at my pace & have orders ahead of yours; item will ship when testing is completed and packed for safe transit. Suitability sole responsibility of Buyer. Not responsible for errors/semantics/etc. All items subject to prior sale or no sale. Prices subject to change without notice. All equipment as-is without warranty. All sales f.o.b. Los Angeles California; all matters and costs beyond this point, incl, but not limited to, packing, freight, duty, taxes, fees, are sole responsibility of Buyer. All sales final. No refunds. Add 8.75% SalesTax in California.
SPEAKERSQuote from departed Fi Magazine Jan-Feb 1997 Vol.2 #1: "...I played a spectacular performance of Shumann's Andante and Variations by Martha Argerich and friends, EMI 5 55484; about two minutes into the piece, a solo French horn call is mimicked by the ensemble of two pianos, viola & cello; on this system with different, more expensive speakers, I thought that passage was played by two horns−quite a feat since only one horn was present; when I replayed the piece through the RS's, it became obvious that I was hearing the other instruments imitating the horn call." AllegroSolution: If your speakers are not able to differentiate piano and strings from horns, it's time to upgrade!
![]() fabled George Augspurger horns, all-wood construction, 800Hz, outperforms the usual suspects, performs best with TAD TD-4001 but can be used with any driver. (or, you could pay 2x more for a new pair of TAD TH-4001 horns)
hot-setup surround speakers!
![]() ![]() Bose 901 Series V Direct-Reflecting spkrs with original 901 Series V Active Equalizer, walnut. Hot-setup surround speakers! Transform your QUADs into SuperQUADs ![]() Crawley NHT Trans-Line SUBS (2), fabled NHT-1259 12" super-woofer, outperforms larger-heavier-costlier subs, 24-18-14", horizontal (low-profile) or vertical (small-footprint) placement, very manageable at 45#, 5-way posts, black w/oak side inlays, doubles as stands for QUAD ESL 57-63-988, includes sweepable 24-db/oct XLR-Bal xover. * the acoustic of the recording venue is "encoded" in the A minus B difference signal; this cannot be "decoded" with a single mono sub; you need Left & Right ch subs & a fast-cut-off xover to prevent interference with the main spkrs; the common 12db slope won't cut it (pun intended). since 1927.
the one and only original Project K2
![]() fabled JBL Project K2 S9500 #194A/B (the original and ultimate Project K2) simulated-point-source loudspeaker, small-footprint, modular construction (heaviest section is pedestal at 113#), inspired engineering by Greg Timbers, tour-de-force execution by JBL, 98db/w/m. "On a scale of 1~10, these are a 12." —Andre Perreaux, E-Speakers.com (or, you could pay more for new pr of non-point-source, non-modular, DD66000 Everest & rent a forklift & crane) * note: above K2 links go to same info; click any one. since 1927.
![]() ![]() JBL Signature D216 drivers, SET-friendly 16 Ohms, c.1960, need reconing. since 1927.
![]() ![]() fabled JBL LE-14H woofers, 4-inch voice-coil!, 8-Ohms, one of JBL's finest drivers, combines the best qualities of 12-in and 15-in drivers. surrounds need replacing (do-it-yourself for $20/pr).
since 1961. a Laurie Fincham design.
![]() fabled KEF Reference Series R-107 c.1986, 3-way, dual 10-inch force-cancelling woofers with coupled-cavity loading eliminate coloration from vibration and floor-boundary that plagues most other subs regardless of cost, dedicated equalizer with adjustable Q enables matching to ss or tube amps & enables placement in virtually any location in any size room, matched-walnut, small-footprint, rotatable & removable heads. Bi-amp AllegroMods™ & Bal-Xover included. * 3 pairs available for home-theater or studio. * woofers need new surrounds - diy kit is $80. ♥ "Music emerges from the 107 like ripples in a clear mountain lake. There is no sense of strain or stress, even on very loud passages. Vocal-range magic of Spendor BC1 & SP1 is present here in full force. Voice is reproduced very naturally, without any coloration. Neither are instrumental timbres slighted in any way, and harmonic accuracy is preserved up and down the audio bandwidth. String fundamentals and overtones are convincingly reproduced, and woodwinds possess excellent clarity and detail, while brass has its proper bite, without gratuitous brightness or harshness. With the right electronics, musical textures are fleshed out with a convincing mixture of soft & hard, sweet & brash." —DO/Stereophile. ♥ "This remarkable speaker represents a challenge to the increasing performance standards being set by large panel speakers, matching the best of them in terms of both bass power and extension, while at the same time conceding little in terms of coloration levels. In fact, the KEF beats a number of the panel models in such fundamental areas as tonal balance and response uniformity." —MC/Stereophile. ♥ "Recommended as one of the few full-range dynamic loudspeakers that I have experienced to touch the soul, not just of the music, but of the listener." —JA/Stereophile. • above quotations pertain to full-range operation with a single amp; bi-amp AllegroMods™ with tuneable electronic crossover (included) allows a solid-state amp to drive the woofers directly, and a small ss or tube amp to drive the MF/HF head, significantly improves performance. since 1975.
Zb103/3 + AllegroMods
![]() speakers are supposed to stop when the music stops; only two types of transducers accomplish this; plasma (i.e., Acapella High Violoncello II, 5kHz Fc, $80k/pr) and the Manger MSW bending-wave transducer... fabled MANGER Zerobox 103/3 modular spkrs featuring Manger MSW/3 "tri-head" with 3 MSW bending-wave transducers allowing the main/front MSW to perform optimally over 7 full octaves 160Hz~35kHz with rise-time of 13μs & virtually no ringing! (repro of piano and brass is a revelation, outperforming even the Quad ESL-988, which few speakers at any price can do), 91db/w/m, 5 Ohm linear-Z from 350Hz on up. Matching sealed-box bass-bins with twin 10" Vifas extend the magic to below 30Hz. Bi-amp AllegroMods™ & Bal-Xover included. "Hear" is what you don't get with these spkrs: no spit, no glare, no etch, no grain, no shout, no awk, no squawk, no distortion, no equal. "Should you value musical flow, long-term suitability, dimensional staging, fleet-footed PRaT & an exceptional vocal band above all else, then the Zerobox becomes one of the highest recommendations known to me."—Fairaudio 5/08. "...open, uncolored, extremely extended & fast as greased lightning..."—HiFi+. "...remarkable musical experience..."—TAS 9/01. "...emotion and authenticity in abundance."—Image HiFi 4/01. "...as if the performers were standing in front of me..."—Audiophile 4/00. "...the Manger sound transducer - an acoustic star..."—Kopfhorer 12/99. "...the Manger transducer is a brilliant construction..."—Hifi&Records 4/99. "...in the rather slowly advancing technology of loudspeaker design, the Manger transducer represents a large step forwards."—StudioPostPro 2/99. "...entry ticket to the absolutely finest audiophile systems..."—Stereo 2/97. "...sets standards re homogeneity & naturalness..."—Sound&Vision 1/97. "...its most important characteristic is honesty..."—FAZ 1/96. "...Absolute Top Class I..."—Stereoplay 1/96. "...only the music is there - simply room-filling and natural..."—FAZ 9/95. "...all the listeners were overwhelmed by the way the Manger transducer conjured up a breathtakingly exact spatiality, which the conventional comparison loudspeakers, irrespective of whether flat-core or direct radiator, could only at most bring to a limited extent."—Stereoplay 5/93. "...fatigue-free...high-resolution...impulse-true."—Studiomagazin 4/93. "...closer to the ideal sound transducer than ever before."—Klang&Ton 4/93." • above quotations pertain to full-range operation with a single amp; bi-amp AllegroMods™ with tuneable electronic crossover (included) allows a higher Fc, a solid-state amp to drive the woofers directly, and a small ss or tube amp to drive the MSW tri-head, significantly improves performance. (or, you could pay 9x more for KEF Muons) few speakers at any price are this musically convincing ![]() fabled QUAD ESL-988 Full-Range Electrostatic Doublet, aka "FRED", "closest approach to the orig sound", matched pair in special Vintage finish, last and best of the British Quads (new ones are made in China, folks), 37" high - 26" wide - 12" deep, 45 lbs. trans-line subs/stands available.(or, you could pay 3.3x more for new Chinese ESL-2805 Classiques) * Quadies will notice pic is 989 - 988 be 15" shorter and 11 pounds lighter & outperforms its larger sibling (and most everything else!) when properly mated to low-coloration subs & driven by a stable solid-state amp (small cool-running Quad 606 w/ AllegroMods™ does nicely). ![]() fabled Raven R1.0 true-ribbons rare SET-friendly version with 12 Ohm toroidal transformer, 95db/w/m, 4kHz~46kHz. ![]() Soundlab A-1 Electrostatic spkrs, beautiful dark-walnut complexion, big, bold, tight, unforgettable. * due to the extreme transparency of these speakers (visually as well as acoustically) we cannot show the other side; sorry, guys. * note: these have been sold, butt, due to popular demand, Miss Bootyliches stays. since 1938.
ear speakers supreme
![]() Stax Lambda Pro Signature EarSpeaker System, includes Lambda Pro Signature EarSpeakers and SRM-T1 direct-drive TUBE control-amp with DUAL-powering for Pro and non-Pro EarSpkrs, fresh matched RCA "sidewinders". (or, you could pay 3x more for new Stax 007A EarSpeaker System that can't power non-Pro)
![]() fabled TAD TD-4001 compression driver with DP-4001 Be diaphragm, one only. * new TAD DP-4001 diaphragms available. since 1926.
![]() ![]() fabled TANNOY Dimention TD-10 Dual-Concentric "Widebanders", advanced low-compression drvr with tulip waveguide outperforms older versions, 10-in paper-pulp cone w/twin-roll fabric surround, titanium super-tweeter adds that touch of "air" missing in older models (no need for the ST-200 super-tweets at $2k ea), SET-friendly 91db/w/m and 6Ω minimum below 5kHz, 43-14-15", 70 lbs. * all things considered (sensitivity,size,weight,spl,sound), the "sweet-spot" in Tannoy's Dual-Concentric drivers has always been the 10-incher imo. Less is sometimes more. • Alvin Gold, Enjoy The Music 12/2001: "The TD12 generated some of the most realistic orchestral tonality I have experienced in a long time, perhaps ever outside the concert hall, and the sheer physical breadth and scale of the sound came as a revelation." • Jason Thorpe, Soundstage 8/2002: "Although it may be related to the high-calorie tube diet with which I fed them, I'd have to say that the Tannoy TD10s add their own slight euphonic sweetness to the upper midrange and treble; either that, or every other speaker that I've heard presents that frequency range with a layer of grit to which I've become accustomed. While I like to think that the former explanation is the correct one, the natural, unforced nature of the Tannoys makes the latter a distinct possibility...the sense of depth with which they portray the original acoustic verges on magical... the Tannoy Dimension TD10s do some things better than any other speaker I've heard. With their superb dynamics, retrieval of detail & world-class treble, they infuse life into music. Add in rich, slamming bass & you're off to the races with a distinctive musical experience." • Steven Stone, Stereophile 10/2002: "...an eerie verisimilitude scarily close to that of a live acoustic event...a gargantuan soundstage produced jaw-dropping dimensional effects, deciphering even the most densely mixed soundtracks... glorious midrange...seductively lush...beautifully defined." since 1926.
![]() fabled TANNOY 609 Mk.II point-source speakers, 8" Dual-Concentric w/advanced low-compression driver & tulip waveguide outperforms older vers, 8-sided DMT cab lowers diffraction/coloration, SET-friendly 5Ω, 89db, 46Hz~30kHz +/-3db.
![]() Technics SB-4 3-way monitors, advanced driver technology, 9" woofer, HF level-control, 91db/w/m, 21"h - 11"w - 9"d. ![]() AllegroSound − Established 1973 − "love what you listen with" Los Angeles, California USA Rick@AllegroSound.com
CONTACT AllegroSound ![]() * AllegroSound assumes no responsibility for use or misuse of products, services, info, etc. > home < > home < > home < > home < > home < > home < > home < website design & original content ©AllegroSound, Los Angeles USA. All rights reserved. |
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