"love what you listen with..."
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MissionAllegroSound has been dedicated to the accurate recording and reproduction of acoustic music for well over ¼ Century. For those who value ears-on experience, AllegroSound is "hear" to assist you.
Featuring* AllegroQC™ with 37+ yrs experience. * Safe-packing. Trust your purchase to one who knows & cares to pack it right.
ConditionSome be 10~60 yrs old with imperfections, non-functioning lamps, old capacitors, etc; NO "mint", "minty", "perfect", "excellent". AllegroGrading™ : 5 = New-In-Box, 4 = VeryGood, 3 = Good, 2 = Fair, 1 = Poor. All pre-owned/used unless otherwise noted. See Pics, MainsVoltage, Terms below. Pics are shown for display purposes & may not represent exact condition; text trumps pics - read description and email if you need clarification. From computer, place your pointing-arrow ON the rotating $-sign below each listing; price will pop up within 2 or 3 seconds; if not, Click "HELP" in the floating Menu >>> * all prices U.S. currency f.o.b. Los Angeles, California USA. * prices without deposit subject to change without notice. * AllegroLayAway™ with 20% non-refundable deposit. * AllegroTradeUP™ with your approved TRADE-IN.
Trade-insTrade-in & purchases are not final until received, inspected, tested and approved by AllegroSound. Items failing to meet described condition will be returned at customer's expense plus $50 min fee for inspection/testing; additional fees may apply.
Terms & ConditionsEquipment is carefully inspected, cleaned, variac'd, tested for dc-offset & auditioned in ref system before it leaves our facility. Quality work with TLC takes quality time; I work at my pace & have orders ahead of yours; item will ship when testing is completed and packed for safe transit. Suitability sole responsibility of Buyer. Not responsible for errors/semantics/etc. All items subject to prior sale or no sale. Prices subject to change without notice. All equipment as-is without warranty. All sales f.o.b. Los Angeles California; all matters and costs beyond this point, incl, but not limited to, packing, freight, duty, taxes, fees, are sole responsibility of Buyer. All sales final. No refunds. Add 8.75% SalesTax in California.
AMPLIFIERS: Solid-StateSolid-state amps with their inherent higher-damping are uniquely suited to control the higher-mass of real woofers (10" & greater). If you love tubes, bi-amp with tubes on top, solid-state on bottom. since 1972.
switch on-the-fly class-A or class-AB
![]() fabled Accuphase P-400 twin-mono amp, 2 monoblock amps on one chassis, switchable on-the-fly between 50w/8 class-A or 200w/8 class-AB, highly-efficient cooling system eliminates the heat-damage typical of other "class A" power amplifiers, precision 1-db/step attenuators eliminates the need for a preamp, useful peak-&-hold power meters, upgraded 5-way output connectors. Magical on electrostatic loudspeakers! fyi, Accuphase stereo amplifiers typically have a single pwr-supply for both channels; the P-400 you see here be a rare exception, with the benefits of separate monoblocks in a cool-running compact design of the finest quality and legendary reliability. since 1974. ![]() fabled ATC SPA2-150 power amp, twin-mono "audiophile" version, 200w/ch/8, XLR-Bal in, discrete wide-band non-clipping design, on-board diagnostics w/display, the best of British technology, transparent and musical, 57#, drives difficult loads w/ease, outperforms Nagra MPA at one-third the cost and heat. (or, you could pay 5x more for new darTZeel 108 with half the power) a Bigger-Bolder-Better Bedini 25/25... ![]() fabled Bedini 100/100-DE c.1983, #133DE, 100w/ch/8, 200w/ch/4, 19" rack-mount panel + handles. (or, you could pay more for a Bedini 25/25 & get less). matching 66DE preamp with MM Phono available.Seatbelts recommended for Home-Theater applications! ![]() fabled Crown K1 stereo amplifier c.2003, last Version!, big pwr/snd, small size/wt, controls multiple large woofs in a vice-like grip and drives difficult loads with ease, legendary reliability & fail-safe protection of the amplifier & your valuable speakers! 350w/ch/8, 550w/ch/4, 750w/ch/2, 32-lbs, XLR-Balanced in, detented Volume pots, rack-mount with handles, 100~240vac. (or, you could pay 8x more for a new Spectron Musician III SE Mk2 amplifier) since 1938.
like no other...
fabled Denon POA-8000 "class A" monoblocks, 200w/ch/8, 48 lbs, ultra-stable Feed-Forward design, input level control, subsonic filter, AllegroMods eliminate heat-damage, improve sound & deliver more power. (or, you could pay more for a pair of Denon POA-S1 plus a forklift) matching PRA-6000 preamp avail.
![]() fabled Kenwood L-05M monoblocks, 100w/8, DC~600kHz, 6-8-16"hwd. matching L-07C preamp available.
![]() fabled Kenwood L-09M monoblocks, 300w/ch/8, switched-attenuator, power meter, AllegroMods™. * tech-note: 106V rails w/dedicated xfmr for each rail! matching L-07C preamp available.
you can pay more, but you can't buy a better Krell. ![]() fabled KRELL KSA-150 dual-mono, 300w/ch/4, 600w/ch/2, 1200w/ch/1, non-switching single-plateau bias, XLR-Balanced in, 90 lbs, c.1990. "The KSA-150 has to be one of the smoothest, sweetest amps around... bass is phenomenal." −ST/Stereophile. (or, you could pay 17x more for a new pair of Krell Evo-600's) Krell KRX xover also available.tube front-end, mosfet output...
![]() Lector VM-200 hybrid amp, 100w/ch/8 and 150w/ch/4, 14GW8 Input+Driver tube, mosfet output, low feedbk, gloss-black side panels. (or, you could pay 12x more for new Lamm M2.2 hybrid mosfet monoblks)
![]() Linn Klimax Chakra 500 Twin, aka Chakra Twin, linear/analog design w/advanced pulse-locked ps, XLR-Balanced inputs, WBT posts, 200w/ch/4, low on heat-bulk-weight, high on sound quality, upgrade your Linn Klout at AllegroSound.com * note: above Linn links go to same info; click any one.
a Paravicini design. LUXMAN M-4000 twin-mono amp fabled Tim de Paravicini design, best of 2000-4000-6000 Series (larger M-6000 & single-ps M2000 & mosfet M4000A are less good!), precision 1db/step attenuators eliminates need for a preamp, average & peak power-meters, 180w/ch/8, c.1976, number 1393, much point-to-point hard-wiring. fyi, M-4000 has bipolar current stage; M-4000A has mosfet current stage; bipolars trump mosfets re current. matching T-110 tuna available.
since 1952. a Ken Ishiwata design.
![]() Marantz MusicLink MA-24 monoblks (formerly Marantz Esotec series), #47 and #55 of 100 pairs produced, rated 30w Class A, copper chassis, 6"h - 8"w - 14"d, champagne-gold. matching SC-22 preamp available. since 1949, like no other...
![]() fabled McIntosh MC-2600 dual-mono amp, latest & greatest of the professional-grade "Big Macs" with XLR-Balanced inputs and even more McPower to outperform its illustrious predecessors (2300/2500), 600w/ch, 2200w/100A/pk/ch in stereo!, 4400w/200A/pk/mono!, 2-4-8 Ω taps, drives any load incl 0.1 Ω ribbons!, improved fan-management system unlikely to activate the variable-speed fans under typical domestic conditions. Legendary musicality, reliability and fail-safe protection for your speakers, rack-mountable, c.1992. ST in Stereophile: "Once you've experienced and lived with a mega-amplifier, whether tubed or solid-state, it's difficult to return to one of moderate power - and by moderate I mean even a few hundred wpc - especially if your goal is to reproduce without strain the dynamic range of live orchestral performances..." (or, you could pay 8x more for Boulder 2060)
click for McIntosh MC-2600 dual-mono amp since 1949, like no other...
![]() no, you're not seeing double, just the first double-balanced amplifier ever produced (each phase of the balanced signal is balanced) &, imo, not equalled by anyone, including McIntosh Labs. fabled McIntosh MC-1000 monoblocks, discrete and balanced from XLR-input to your loudspeakers, 5kW/160A/pk, will drive anything above a dead short & sound sublime under all conditions, rare Collector's Chrome Edition plus AllegroMods™. The last amplifier you will ever need or want. since 1949, like no other... ![]() fabled McIntosh MC-2120 amp, unique autoformer design, 120w/ch/stereo, 240w/mono, 2-4-8-16 Ohm taps, Level- controls, Headphone-jack, PowerGuard prevents clipping, protecting amp & your speakers, drives any load incl 0.1 Ω ribbons! Legendary musicality & reliability. (or, you could pay 5x more for Moscode 401HR)
click for McIntosh MC-2120 ![]() Mitsubishi Diatone DA-A15DC amp, 2 mono amps on one solid chassis, 150w/ch/8, latest and best version, variable input sensitivity each ch. selectable Low-Pass & High-Pass filters facilitate bi-amping.
![]() fabled NEC M-50 monoblock amps, 100w/4, 240w/pk/2, 57A/pk, 5~300kHz, unique selectable Lo-Pass & Hi-Pass filters facilitate bi-amping & protect your delicate drivers from damage, Volume contol, fluorescent meters. "M stands for Magic."
![]() fabled Onkyo M-510 twin-mono amp, #40 of 43 produced for U.S. market, 2 monoblock amps on one chassis, Champagne-gold with lacquered persimmonwood matches M-588, 300w/ch/8, 500w/ch/4, 2Kw/pk/ch/1, 140 lbs of magical music replay. "M stands for Magic."
![]() fabled Onkyo M-588 twin-mono amplifier, two monoblock amps on one chassis, c.1993, successor to fabled M-510 with Balanced inputs, Champagne-gold with lacquered persimmonwood matches 510, 200w/ch/8, 750w/pk/2, AllegroMods™. Mate with Sansui C-2301 preamp for a Magical music experience. "perfect balance of detail & musicality w/holographic soundstage"
![]() fabled Pioneer Series20 M-22 amplifier, 2 monoblock amps on one cast-chassis, AllegroMods™ eliminate heat-damage, improve sound and deliver more power. PB in TAS: "My fave 25W class A amp is the Pioneer M-22. It offers a perfect balance of detail & musicality with a truly holographic soundstage. I like it better than M-03, DR-2, DR-3 & Bedini for driving my classic Bozaks." And this one-of-a-kind M-22 with extensive AllegroMods™ is way better in every way; more texture, more body, more musical... * this is NOT your grandpa's stock M22! stacked pr of fabled PSE Studio V Balanced Monoblocks
![]() Professional Systems Engineering PSE Studio V Monoblocks c.1990, #50359/360, XLR, 120w/8, 230w/4, XLR Balanced and RCA inputs, 17"w - 3.5"h - 10"d, 23 lbs. (or, you could pay 3x more for BelCanto M500 digital monoblks) ![]() QUAD 606 amp #27093 c.1997, last Version plus AllegroMods™, 130w/ch/8-Ohms, 220w/ch/4-Ohms, stable into any load with any signal, outperforms 909 and others driving Quad ESL-63-988-989-2805-2905. "Here the newer 606 showed a clean pair of heels to the older 606, handling musical transients with greater aplomb & losing the thicking of midrange that was the only note of coloration in the original unit." − HiFiNews a Masaru Nagami design.
fabled SONY ESPRIT TA-N900 monoblks, linear amp w/pulse-locked power supply, original rosewood cabs and marble tops. matching SE-P900 parametric available. ![]() fabled SONY TA-N77ES amp c.2002, 200w/ch/8, 800w/pk/2, peak meters, Direct + Volume-controlled inputs, 58 lbs, outperforms later models.
![]() SONY TA-1010 integrated amp c.1970, 2 MM phono, 15w/ch/8. not for sale at this time. ![]() SONY TA-3200F amplifier c.1971. ![]() AllegroSound − Established 1973 − "love what you listen with" Los Angeles, California USA Rick@AllegroSound.com
CONTACT AllegroSound ![]() * AllegroSound assumes no responsibility for use or misuse of products, services, info, etc. > home < > home < > home < > home < > home < > home < > home < website design & original content ©AllegroSound, Los Angeles USA. All rights reserved. |
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* Amps: Tube |